Attempts to formalize the diagnostic process are by no means a recent undertaking; what is new is the availability of an engine to process these formalizations. The digital computer has therefore been increasingly turned to in the expectation of developing systems which will assist or replace the physician in diagnosis. Such efforts involve a number of assumptions regarding the nature of the diagnostic process: e.g. where it begins, and where it ends. ‘Diagnosis’ appears to include a number of quite different (...) cognitive processes, some of which seem more subject to formalization than others. Underlying the difficulties inherent in these efforts at formalization, is the hierarchical structure of medical knowledge including that of diseases. (By ‘hierarchical structure’, I mean no more than that our descriptions of clinical objects necessarily refer to different levels of organization; atomic, molecular, cellular, physiological system, entire patient.) Since diagnosis is in part a form of classification, measures of similarity between the clinical findings of a particular patient and a potential disease, are needed. This is complicated by the fact that some diseases are described using the vocabularies of physics and chemistry, others with the vocabulary of psychology, and most, with terms taken from a number of different hierarchical levels. The differences between the descriptions made using these vocabularies will be seen to exert systematic (if not uniform) influences upon the diagnostic process. CiteULike Connotea Del.icio.us What's this? (shrink)

In this essay I explore what might be meant by the “nearest things” in Nietzsche’s philosophy. In the first part of the essay I contextualise Nietzsche’s concerns with “the closest things of all” in the “free spirit” period (1878–1882) and raise the question of how knowledge of them is possible. This idea is developed in the second part of the paper in relation to the claim that dominant (Platonic/christian) habits of thought impede our understanding of the body. In the third (...) section, I suggest that Nietzsche’s interest in Epicurean thinking in this period enables us to situate the nearest things within the political aesthetics of a transfigured physis. In the final section, I examine how Nietzsche’s 1881 notes on eternal return provide a less-well known locus for his philosophy of the nearest things, one which suggests that to “incorporate” eternal return we need to become “good neighbours” to what is close. (shrink)

This book explores the imaginative possibilities for philosophy created by Nietzsche's sustained reflection on the phenomenon of ecstasy. From The Birth of Tragedy to his experimental "physiology of art," Nietzsche examines the aesthetic, erotic, and sacred dimensions of rapture, hinting at how an ecstatic philosophy is realized in his elusive doctrine of Eternal Return. Jill Marsden pursues the implications of this legacy for contemporary Continental thought via analyses of such voyages in ecstasy as Kant, Schopenhauer, Schreber, and Bataille.

In The Law of War and Peace Grotius needs many more pages for the theological arguments in the debate on war and peace than for the arguments derived from natural law and international law. Apparently the controversy within Christendom on the justifiability of warfare was one of the most important issues to be addressed in his magnum opus. The general discussion in his days was about the proper interpretation of the Holy Scriptures, the authority of which was accepted by all (...) participants. This contribution focuses on the position of Hugo Grotius in this debate, confronting his ideas with the biblical arguments of those who completely rejected warfare, more in particular Erasmus and the Anabaptist branch of the Reformation. Grotius rejected the arguments in favour of Christian pacifism, which was to a considerable degree defended by Erasmus and which formed a central tenet of the Anabaptists. The latter's apolitical stand was not shared by Grotius or by Erasmus who were both albeit to different degrees involved in the political debate and practice in the field of war and peace. (shrink)

This chapter contains sections titled: Nietzsche's Understanding of the Aphorism How Aphorisms Reconfigure the “Habits of the Senses” The Art of Exegesis.

In this article, I draw connections between Nietzsche's diagnosis of nihilism, his emphasis on the importance of the things “nearest” to us and often overlooked, and methodological issues in contemporary thought. In particular, the connection between “the devaluation of the highest values” and the task of transvaluation gives us a context for addressing nihilism as a crisis of orientation. I argue that Nietzsche's turn toward the “nearest” things as a new direction for philosophical thought seems to resonate with the priorities (...) recently identified by Laura Marcus as the “keywords” of our time: “embodiment, affect, the quotidian, singularity, contingency, intimacy, precarity.” In order to pursue the deeper implications of this affinity, I consider some recent engagement with Nietzsche in new materialist writings. I claim that Nietzsche's ideas about the “nearest things,” properly understood, may provide these theories with resources to contest nihilism at the level of value, without reinstating an uncritical appeal to the authority of “lived experience.”. (shrink)

When the brother of the poet Anne Carson died she wrote an elegy for him “in the form of an epitaph.” Her 2010 work Nox is a beguiling and beautiful work, as difficult to characterize as the brother it seeks to commemorate. This article explores the sensory experience of reading Nox, a text, which appeals to an elusive awareness at the edge of memory and imagination. In describing her brother, Carson evokes “a certain fundamental opacity of human being, which likes (...) to show the truth by allowing it to be seen hiding.” The aim of this paper is to show how this opacity emerges in the encounter with this captivating work, to pursue what it means to let “night” appear. (shrink)

This study reanalyses data on migrants to Alberta, collected by Statistics Canada in a 1980 Labour Force Survey. The findings indicate that migrant men are gainers and migrant women, particularly migrant wives are the losers from such movement, even during a period of relative economic prosperity in the Province. Women's occupational status tends to improve with time spent in the new labour force. However there is a failure to return to occupational statuses enjoyed before the move. This means, first, that (...) male and female workers are more sex-differentiated after the move than before it; second, that migrant women, especially wives, enjoy fewer occupational returns on their educational investment than migrant men; third, that the balance of economic contribution, and possibly therefore influence, within a migrant household is shifted towards greater male dominance by the move.It is to be emphasized that each of these findings is to be regarded as tentative pending the completion of further analyses on this and three related data sets. In particular the analysis of household level data will be critical in assessing any hypotheses about family power before and after the move. (shrink)

In the sixties I attempted to comprehend the Zen paradox: 1,400 years of handing down a tradition through absurd statements. I had to construct a theory of the absurd. It led me to the conclusion that not only connections among words could be absurd ; connections among objects themselves could also be absurd. God hung on the cross seemed an absurdity. The Apostle Paul acutely felt this absurdity, and later Tertullian felt it even more acutely. A thousand years later, for (...) Aquinas, the sense of absurdity had subsided, and the diminution of God to the "perspective of the slave" became a postulate of scholastic reason. In all transitional periods, when the "world is out of joint," a palpably absurd situation arises, and grotesque, absurd literature is created. François Villon became popular in Russia in the twentieth century, not very long before Kafka; the poem written for the contest in Blois engraved itself in my memory. The poem is rational in its own way, i.e., it describes well the realities of life itself. (shrink)

In this paper, I respond to Scholes’s question of whether The Freewoman, The New Freewoman, and The Egoist, all of which were edited by Dora Marsden, were one journal or three.

This paper focuses on the prologue of the Old French Partonopeus de Blois. The author analyses the narrator's style of writing and argues that he puts the receivers at the very centre of the experience, relying on them to analyse the material with his subtle help. The author argues that it is therefore not the intrinsic nature — good or bad — of the story which is important, but what the receivers may gain from it. Via a series of (...) reworkings, the creator of Partonopeus orients the reception of the story and establishes his narrative style by an innovative use of literary tradition. (shrink)

This paper is concerned with the inverted gender roles portrayed in the Middle English Partonope of Blois, and the part played by Urake in realigning them. The relationship between hero and heroine begins with Partonope in a female passive role as a "kept man," and Melior in a male dominating role as a sexually self-assured woman who chooses the man she wants and controls him. Urake, one of the most unusually interventionistic of romance go-betweens, saves Partonope's life and prepares (...) him, both physically and psychologically, to assume his position as the triumphal hero; she also torments Melior into accepting a less controlling form of love more suitable for a medieval woman. In this way the conventional ending to the romance is enhanced by the satisfaction of seeing the inverted gender roles of hero and heroine put to rights. (shrink)

This paper is concerned with the transformation in the Middle English Partonope of Blois of French place-names that appear in its source, Partonopeus de Blois. Six of the twenty-two French toponyms in the version of Partonopeus drawn upon by Partonope appear at least once in the English text in a different form. At first sight these divergences seem either to be insignificant substitutions or else to arise from common scribal errors. Closer consideration suggests, however, that they are in (...) at least some cases intentional. The principal effect of these alterations, which has escaped the attention of previous scholars, is to shift the location of the Somegur episode from the Vexin to Ponthieu. Given the probable dating of Partonope to the second quarter of the fifteenth century, this relocation may have been designed to avoid a transfer to the Lancastrians of the implicit criticism in Partonopeus of Henry II's possession of Normandy. (shrink)

Grapples with the problems of identifying homosexual content in a work of art, showing how artists often used sexual codes to communicate to their subculture. The major part of the book is a discussion of Demuth's and Hartley's lives and works.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Jonathan Edwards's Philosophy of History: The Reenchantment of the World in the Age of EnlightenmentJohn E. SmithAvihu Zakai. Jonathan Edwards's Philosophy of History: The Reenchantment of the World in the Age of Enlightenment. Princeton: Princeton University Press, 2003. Pp. xvii + 348. Cloth, $49.95.Edwards's History of Redemption is the focus of this study by Avihu Zakai—Professor of History at the Hebrew University in Jerusalem. The History is a (...) series of thirty sermons Edwards preached on Isaiah 51:8 "... my righteousness shall be forever... my salvation from generation to generation." For him, it was a "new method in divinity... thrown into the form of a history"—a narrative showing God's sovereignty in redemption "from the fall of man to the end of the world."Zakai gives a comprehensive account of Edwards's view of history meant to highlight his struggle against modern beliefs threatening Christian faith (308; passim). The discussion is not limited to history, but includes most of Edwards's writing from 1720-1750 with emphasis on his opposition to the Enlightenment. Zakai cannot interpret so many works with the accuracy needed; he repeats old errors such as opposing the "head" and "heart" in the Affections and minimizing Edwards's respect for "common morality" in the ethical writings. Zakai is right in saying that Edwards insisted on God's authority over the world and history, but he puts it in such absolutistic terms that he often seems to abandon historical analysis in favor of exhortation.Zakai's best contribution is in his search for the general framework of God's redemption of the "engine" driving history (120ff.; 213ff.). He finds the answer in "seasons" of revival such as the Great Awakening. This is true, but Edwards notes other special events like the Reformation that "promoted the work of redemption" (Works, 9. 272), but are not revivals in the usual sense. For Edwards, special events are of many kinds and are identified by interpretation based on God's Providence. As Miller claimed, interpretation is essential; without it we may have a chronicle of events, but no history. Zakai seems to underestimate this point and the many problems it poses.The book strikes me as one more attempt—George Marsden's recent book, Jonathan Edwards: A Life (New Haven, 2003), is another—to rescue Edwards from "profane" interpreters like Miller who saw that Edwards learned from the Enlightenment even though he challenged many of its ideas. In my view, Edwards can well take care of himself.John E. SmithYale UniversityCopyright © 2004 Journal of the History of Philosophy, Inc.... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Jonathan Edwards's Philosophy of History: The Reenchantment of the World in the Age of EnlightenmentJohn E. SmithAvihu Zakai. Jonathan Edwards's Philosophy of History: The Reenchantment of the World in the Age of Enlightenment. Princeton: Princeton University Press, 2003. Pp. xvii + 348. Cloth, $49.95.Edwards's History of Redemption is the focus of this study by Avihu Zakai—Professor of History at the Hebrew University in Jerusalem. The History is a (...) series of thirty sermons Edwards preached on Isaiah 51:8 "... my righteousness shall be forever... my salvation from generation to generation." For him, it was a "new method in divinity... thrown into the form of a history"—a narrative showing God's sovereignty in redemption "from the fall of man to the end of the world."Zakai gives a comprehensive account of Edwards's view of history meant to highlight his struggle against modern beliefs threatening Christian faith (308; passim). The discussion is not limited to history, but includes most of Edwards's writing from 1720-1750 with emphasis on his opposition to the Enlightenment. Zakai cannot interpret so many works with the accuracy needed; he repeats old errors such as opposing the "head" and "heart" in the Affections and minimizing Edwards's respect for "common morality" in the ethical writings. Zakai is right in saying that Edwards insisted on God's authority over the world and history, but he puts it in such absolutistic terms that he often seems to abandon historical analysis in favor of exhortation.Zakai's best contribution is in his search for the general framework of God's redemption of the "engine" driving history (120ff.; 213ff.). He finds the answer in "seasons" of revival such as the Great Awakening. This is true, but Edwards notes other special events like the Reformation that "promoted the work of redemption" (Works, 9. 272), but are not revivals in the usual sense. For Edwards, special events are of many kinds and are identified by interpretation based on God's Providence. As Miller claimed, interpretation is essential; without it we may have a chronicle of events, but no history. Zakai seems to underestimate this point and the many problems it poses.The book strikes me as one more attempt—George Marsden's recent book, Jonathan Edwards: A Life (New Haven, 2003), is another—to rescue Edwards from "profane" interpreters like Miller who saw that Edwards learned from the Enlightenment even though he challenged many of its ideas. In my view, Edwards can well take care of himself.John E. SmithYale UniversityCopyright © 2004 Journal of the History of Philosophy, Inc.... (shrink)

This book interprets Max Stirner's The Ego and Its Own as a critique of modernity and traces the basic elements of his dialectical egoism through the writings of Benjamin Tucker, James L. Walker, and Dora Marsden. Stirner's concept of 'ownness' is the basis of his critique of the dispossession and homogenization of individuals in modernity and is an important contribution to the research literature on libertarianism, dialectics, and post-modernism.

David Waldron Smithers was, among other things, a physician and a pioneer of cancer radiotherapy and a well-respected figure in British medicine and public health. From the 1940s until his retirement from medical practice in 1973, he was the director of the Radiotherapy Department at the Royal Marsden Hospital and London University Chair of Radiotherapy at the Institute of Cancer Research. Using massive amounts of clinical observations, which he interpreted from an organicist viewpoint, and his impressive synthetic thinking, he (...) proposed a coherent alternative perspective to the somatic mutation theory (SMT) which was then, and still is, the dominant theory of cancer. The purpose of this essay is to acquaint the modern audience with his seminal paper, published in 1962, because it deserves to be recognized as a true classic. In it, he examined the lack of fit between clinical observations and the SMT and proposed the rejection of this reductionist perspective. In addition, he built an organicist alternative in which carcinogenesis is seen as a problem of biological organization. His conceptual contribution to the cancer problem has inspired us and other authors over the last two decades. His essay “Cancer: An Attack on Cytologism,” originally published in The Lancet in 1962, is available as supplementary material in the online version of this article. (shrink)

Neither question (1) nor question (2) posed on page 446 have been adequately answered in this paper. Regarding (1) we have merely given functor maps onto the object languages of physical theories and regarding (2) we have merely described the algebraic structure of observables. A more satisfactory treatment will most likely involve (1) a generalization to algebraic categories, universal algebra and model theory in such a way as to capture the full inference structure of (perhaps van Fraassen's modal) quantum logic, (...) and (2) the introduction of the category of differentiable manifolds in order to capture the full symplectic structure of (perhaps Chernoff-Marsden's) Hamiltonian dynamics. (See van Fraassen [4] and Chernoff-Marsden [5] in Other References.)Finally, the intriguing suggestion of Finkelstein that “category theory is to metaphysics what group theory is to physics” deserves serious consideration. Indeed, although the theme has not been touched on explicitly in this paper it was central in motivating the project initially. However, it is more properly to be developed in a context external to a symposium on quantum logic. (shrink)

Les dynamiques industrielles du capitalisme sont liées aux transformations des structures organisationnelles de production. Ainsi, la firme verticalement intégrée à la Chandler s’est effacée au profit de firmes modernes désintégrées. Cette profonde transformation de l’environnement industriel, qui s’est manifestée dans les années 1980 et 1990, a conduit les firmes à développer de nouvelles stratégies de coopération inter-firmes et à faire émerger des formes de quasi-intégration verticale. L’objectif de cet article est d’analyser ces changements institutionnels à l’aune de la théorie économique. (...) L’article se focalise sur les travaux originaux de trois auteurs influents qui ont développé leur propre approche de la quasi-intégration dans la seconde moitié du xx e siècle : Williamson, Houssiaux et Blois. (shrink)

Né à Blois en 1886 et enterré au Caire sous le nom d'Abd el-Wâhed Yahiâ en 1951, René Guénon est l'homme par qui le scandale arrive. Il dénonce la décadence de l'Occident moderne, fruit d'une lente dégénérescence de son héritage métaphysique et se tourne, au grand dam des catholiques, vers l'Orient devenu, selon lui, le refuge ultime de la "Tradition". Cette dernière notion, centrale chez Guénon, élève toutes les traditions religieuses de l'humanité au même niveau de transcendance tout en (...) reconnaissant à chacune d'entre elles sa dimension spirituelle spécifique. Un point de vue tout simplement révolutionnaire dans les années 30. Dès lors, il appartient à l'individu de se déterminer spirituellement par un processus de connaissance graduée qui dépasse largement le seul exercice d'un rite religieux. C'est la voie ésotérique par essence, qui suscitera l'émergence à travers le monde (Europe, Etats-Unis, Russie, etc) d'innombrables"chapelles" initiatiques se réclamant de Guénon, avec notamment les groupes soufis dirigés par Schuon, Vâlsan ou Pallavicini. Chose frappante, un lien inextricable s'est peu à peu tissé entre cette perspective ésotérique et l'horizon politique. En témoignent la "spiritualité héroïque" de Julius Evola dans l'Italie des années trente mais aussi les résonances guénoniennes qu'on découvre dans l'engagement politique de Simone Weil ou de Carl Schmitt. Parallèlement à l'activité des revues Le Voile d'Isis/Etudes Traditionnelles, les apports de Mircea Eliade, d'Henry Corbin ou de Raymond Abellio achèvent de perpétuer le rayonnement guénonien, si controversé soit-il. Cette mise en perspective monumentale de l'oeuvre de René Guénon révèle, de manière décisive, une figure cardinale du XXe siècle et dévoile l'étendue de son rôle dans la construction de la pensée occidentale moderne. (shrink)

Since its publication almost 150 years ago, The Idea of a University has had an extraordinary influence on the shaping and goals of higher education. The issues that John Henry Newman raised--the place of religion and moral values in the university setting, the competing claims of liberal and professional education, the character of the academic community, the cultural role of literature, the relation of religion and science--have provoked discussion from Newman's time to our own. This edition of The Idea of (...) a University includes the full text of "University Teaching" and four selections from "University Subjects," together with five essays by leading scholars that explore the background and the present day relevance of Newman's themes. In the essays Martha Garland discusses the character and organization of the early nineteenth-century English universities upon which Newman based much of his vision; Frank M. Turner traces the impact of Newman's influence during the vast expansion of higher education since World War II; George Marsden investigates how the decreasing emphasis on religion has affected higher education; Sara Castro Klaren examines the implications of Newman's views on education and literature for current debates between proponents of a curriculum based on western civilization and one based on multiculturalism; and George Landow considers what the advent of electronic communication will mean to university teaching, research, and community. To aid accessibility, the edition also includes an analytical table of contents, a chronology and biographical sketch of Newman's life, questions for discussion, expanded notes, and a glossary of names, all of which will help make this the standard teaching text for Newman's work. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:A DIFFERENT METHOD; A DIFFERENT CASE: THE THEOLOGICAL PROGRAM OF JULIAN HARTT AND AUSTIN FARRER WILLIAM M. WILSON University of Virginia, OharlottesvUZe, Virginia, WRITERS COVERING the work of Julian Hartt or Austin Farrer-the :llew that there ar~generally find that the hest introduction is a straightforward acknowledgement that what is to come is unique. Basil Mitchell, for instance, has said that no matter how one catalogues contemporary theologians, a footnote (...) will be needed, reading " and then of course there is Austin Farrer." 1 Likewise, David Kelsey has said that Hartt's work "is not identi:firuble as a variant on any of the options on the present scene." 2 Those already aicquainted with Hartt and Farrer will no dorurbt agree with the sense o[ these assessments; but if they have heen carefol students they will demand, nev,ertheless, a slight qualification : Hartt,and Farrer.are unique as a party of two. Farrer is a " variant " on Hartt; Hartt belongs down in the footnote aibout Farrer. But from the claim that these two are unique it does not follow that their wo:vk is something akin to those bold " new theologies " fashioned from the innocent's quest for a faith untouched hy either the hands of tradition or the perplexities of our time. Farrer's: anchorage in tradition is obvious throughout his writing and clearly stated in the preiface to his first 1 ' Austin Marsden Farrer,' A Oelebmtion of Fa,ith, ed. Leslie Houlden (London: Hodder and Stoughton, 1970), pp.13-14. 2" Christian Sense Making: Hartt's 'Theological Method and Imagination,"' The J owrna,Z of ReUgion Vol. 58 (4), October 1978, p. 428. 599 600 WILLIAM M. WILSON work. There he said that he was " possessed hy the Thomistic vision" and w:as incapable of "thinking it wrong."3 As to novelty, he had this to say:. •. it is indeed absurd to propose new grounds for belief in the existence of God. The belief has stood for more than ~.ooo years if we are to speak of the essentials of transcendental theism. If belief has been reasona9le it has had a reason, and our only business must be to draw this out and restate it.4 It is.fair to say, to 1be sure, that Farrer "drew out" and "restated " that reason in a. way unlike that of any other contemporary Thomist. There are some who would deny him even the label.5 And it is in this sense that Mitchell's statement about him must remain: If " transcendental," " Neo-," and " traditional " Thomist are three current categories, Farrer is a footnote to them. Hartt, unlike Farrer, has ne,ver labeled himself, hut none of his readers can miss his hostility to any pretense to novelty, even to those which have become our standard fare. The good ship theology (has taken) on a radioactive cargo, its company attracted by the dynamic and dazzle of it all. Relevance~ Historicism, several varieties of analysis, Secularism-what a promising manifest! 6 The " spirit of the age " is not to illuminate the gospel, according to Hartt, rather it is the gospel which illuminates the spirit of the age.7 s Finite and Infinite: A Philosophical Essay, Ibid., p. 1. 11 But see note 5 above. JULIAN HARTT AND AUSTIN FARRER 603 I. The Uniqueness of Hartt and Farrer In a recent encydopedia entry, David Kelsey arranges a useful chart of contemporary theology according to the answers given to " the array o:f decisions theologians must make in the course of doing theology." 12 According to Kelsey, theologians must decide the subject matter o:f theology, the importance o:f cultural context, the 1wudience, the significance of the theologian 's vantage point, the goals o:f theology and the best means o:f accomplishing them. For our purposes o:f identifying Hartt and Farrer, however, we need concentrate only on the first and the last-the question o:f subject matter and the question o:f the hest means £or attaining theological ends. The latter (being the last question the theologian must face) best :identifies the overall mind o:f the theologian at work. Thus, against the standard answers given here, I shall try... (shrink)

Say that a d.c.e. degree d is isolated by a c.e. degree b, if bMathematics Subject Classification (2000): 03D25, 03D30, 03D35 RID=""ID="" Key words or phrases: Computably enumerable (...) set – d.c.e. degree – Isolation – High/low hierarchy RID=""ID="" Ishmukhametov's research is supported by RFBR grant 01-01-00733, and Wu's research is supported by the Marsden Fund of New Zealand. Wu would like to thank his supervisor, Prof. Rod Downey, for his many helpful suggestions and comments. (shrink)

Christoph Meiners (1747—1810) was one of 18th-century Europe's most important readers of global travel literature, and he has been credited as a founder of the disciplines of ethnology and anthropology. This article examines a part of his final work, Untersuchungen über die Verschiedenheiten der Menschennaturen [Inquiries on the differences of human natures], published posthumously in the 1810s. Here Meiners developed an elaborate argument, based on empirical evidence, that the different races of men emerged indigenously at different times and in different (...) places in natural history. Specifically this article shows how a sedentary scholar who never left Europe constructed a narrative of human origins and migrations on the basis of (1) French theory from the 1750s (Charles de Brosses and Simon Pelloutier) and (2) data gathered by explorers as reported in travel literature (J. R. Forster, Pérouse, Cook, Marsden). (shrink)

This paper provides a summary of the fourteenth-century Italian cantare Bel Gherardino, and examines the similarities and differences between it and the Old French Partonopeus de Blois. In many of the passages where Bel Gherardino differs from Partonopeus — notably in the characterisation of the heroine, in a simplification of the passage concerning the hero's return home, and in the location of the rescue of the hero by the heroine's sister — the Partonopeus version appears to be the result (...) of a clearly identifiable intervention on the part of an author. It may be concluded that Bel Gherardino does not derive from the text we now know as Partonopeus de Blois, but rather from an earlier story, which may be termed Ur-Gherardino. The existence of an Ur-Gherardino poem would also help to shed light on the problematic relationship between Partonopeus, Ipomedon and Lanzelet. (shrink)

Distinctive for its pungent and oftentimes rotten odor, the thorny fruit of durian (Durio spp.) is considered a delicacy throughout Asia. Despite its burgeoning global recognition, durian remains a fruit of contradiction—desirable to some yet repulsive to others. Although regarded commonly as immobile, mute, and insentient, plants such as durian communicate within their own bodies, between the same and different species, and between themselves and other life forms. As individuals and collectives, plants develop modes of language—or phytodialects—that are specific to (...) certain contexts. Focused on vegetal semiosis or sign processes, a phytosemiotic lens views plants as dynamic and expressive subjects positioned within lifeworlds. Absent from phytosemiotic theory, however, are the cultural sign processes that take place within and between plants—what I call cultural phytosemiotics. The framework I propose calls attention to the interlinked biological, ecological, and cultural dimensions of signification between plants and non-plants. From a phytosemiotic standpoint, this article examines historical, cinematographic, and literary narratives of durian. Reflecting the fruit’s divisive sensory effects, historical accounts of Durio by Niccolò de’ Conti, Jan Huyghen van Linschoten, Georg Eberhard Rumphius, and William Marsden alternate between praise and disdain. Moreover, films such as Fruit Chan’s Durian Durian (2000) and Anthony Chen’s Wet Season (2019) narrativize the polarities that similarly figure into historical depictions of the species. Literary narratives, including the poems “Durians” (2005) by Hsien Min Toh and “Hurling a Durian” (2013) by Sally Wen Mao, investigate the language of durian’s olfactory and gustatory sensations. Along a continuum between adoration to revulsion, durian embodies the otherness of vegetal being. In an era of rampant biodiversity loss, learning to embrace botanical difference should be a human imperative. (shrink)

Charles Demuth is widely recognized as one of the most significant American modernists. His precisionist cityscapes, exquisite flowers, and free-wheeling watercolors of vaudeville performers, homosexual bathhouses, and cabaret scenes hang in many of the country's most prestigious collections, including the Metropolitan Museum of Art, the Philadelphia Museum of Art, the Columbus Museum of Art, the Amon Carter Museum in Fort Worth, the Art Institute of Chicago, and in Demuth's Lancaster, Pennsylvania, family residence, now home of the Demuth Foundation. At a (...) time when many American artists remained tied to Europe, Demuth "Americanized" European modernism. This collection of 155 of his letters offers valuable views of the arts and letters colonies in Provincetown, New York, and Paris. Besides offering information on Demuth's own works, the letters also shed light on the output of his contemporaries, as well as references to their trips, liaisons, and idiosyncrasies. Demuth numbered among his correspondents some of the most famous artists and writers of his time, inluding Georgia O'Keeffe, Eugene O'Neill, John Reed, Gertrude Stein, Alfred Stieglitz, Carl Van Vechten, and William Carlos Williams. In his travels in the United States and abroad, he encountered many other talented contemporaries: Peggy Bacon, Muriel Draper, Marcel Duchamp, the Stettheimer sisters, artists and writers, patrons, and gallery owners. Whether he is offering to pick up a copy of Joyce'sUlyssesfor Eugene O'Neill or trying to convince Georgia O'Keeffe to decorate his music room, Demuth is always in the thick of art and literary life. Flamboyant in attire but descreet in his homosexuality, Demuth also reveals in his letters the life of a talented homosexual in the teens and twenties. With his best friends Robert Locher and Marsden Hartley, he circulated through the art colonies of Greenwich Village, Provincetown, and Paris, meeting everyone. The book also contains reprints of some short appraisals of Demuth and his work that were published during his lifetime, long out of print, including pieces by A. E. Gallatin, Angela E. Hagen, Marsden Hartley, Helen Henderson, Henry McBride, Carl Van Vechten, Rita Wells, and Willard Huntington Wright. Author note:Bruce Kellneris Emeritus Professor of English, Millersville University, and a member of the Demuth Foundation Board of Directors. He is the author or editor of 10 other books. (shrink)

In this work we survey reports on selected severe storms of the 17th century. Specifically, we investigate a severe storm which was accompanied by a ball lightning phenomenon in Cornwall (UK) in 1640. The “fiery Ball”, which reportedly made a “ter[r]ible sound”, entered the church, broke stones and smashed windows. It made holes in stone walls and injured about 14 people. Furthermore, we report on a 1672 storm in Bedford (UK) that tore down houses, blew down stone walls and uprooted (...) trees. We also examine two severe thunderstorms that tore off roofs and uprooted trees in Oxfordshire (UK) and Blois (F) in 1680. In Oxfordshire, hailstone killed farm animals, and later lightning caused a fire, which damaged houses and burned down barns. In Blois, houses were torn down by the wind, eight parishes were ruined by hail (hailstone were the size of a “man’s fist”). Furthermore, houses were damaged and glass windows were shattered. Based on various primary sources, we discuss the impact of these severe storms on society. Moreover, we briefly discuss how people perceived atmospheric phenomena like storms, tornadoes, and hail. Finally, we discuss selected key issues of investigating historical severe storms. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Readymades, Monochromes, Etc.:Nominalism and the Paradox of ModernismJ. M. Bernstein (bio)If Schopenhauer's thesis of art as an image of the world once over bears a kernel of truth, then it does so only insofar as this second world is composed out of elements that have been transposed out of the empirical world in accord with Jewish descriptions of the messianic order as an order just like the habitual order (...) but changed in the slightest degree.—T. W. Adorno, Aesthetic TheoryAdorno's philosophy as a whole, and his aesthetic theory in particular, is irrevocably bound to the tradition and achievements of high modernism. Although Adorno himself did not recognize American Abstract Expression as the apotheosis of high modernism in painting, that judgment now hardly seems contentious.1 And that raises a problem: it is the problem of R. Mutt, again, the problem of the porcelain urinal called Fountain, which was refused admittance to the Society of Independent Artists' Exhibition in April 1917 in spite of the Society's proclaimed democratic slogan "No jury, no prizes"—the work whose life or after-life begins with the beautiful photograph of it by Stieglitz set against the background of Marsden Hartley's The Warriors and that appeared shortly thereafter in the new avant-garde journal The Blind Man. Whatever the immediate repercussions of Fountain, there can be little doubt that much of what is most vital in art in the second half of this century is unthinkable without it; Duchamp's readymade offers an exemplary alternative to the tradition of high modernist painting that has continued to be generative. For a modernist like Adorno, for whom authentic art is that which best rises to the demands and necessities of artistic materials, for whom internal consistency and rigor would appear to be everything, for whom, finally, aesthetic form is the "objective organization within each artwork of what appears as bindingly eloquent" [AT 143; emphasis mine], Duchamp's gesture of simply naming or claiming artistic status for an ordinary bathroom fixture must be anathema. In this respect, Adorno's aesthetic theory would seem to be in the same predicament as Clement Greenberg's modernism: inextricably bound to a tradition that history has left behind. And while the option of refuting the claim of Fountain is certainly possible, and should not be too quickly suppressed (there is something in the claim that will forever be skeptically self-defeating), nonetheless there does appear to be an exemplariness to Fountain that exceeds the narrow provocation of Duchamp's nominalist gesture; something in the readymade, in fact, seems (art historically? aesthetically? conceptually?) irresistible. If so, then modernist [End Page 83] formalism must either find a way of accommodating the readymade without departing from its internal logic or find its claim to our attention forfeited.After laying out the bold outlines of Adorno's formalism, the remainder of this essay will seek to uncover an account of the readymade in the context of what I will eventually call "the paradox of modernism" in order to locate in what way the readymade can be accommodated to a defense of Adorno's late modernism. For the purposes of this argument, I am going to assume that the best overall defense of Duchamp's gesture, which makes it foundational for the understanding of modern art, is that offered by Thierry de Duve in his Kant after Duchamp. My elaboration of Adorno's late modernism will hence proceed, in part, through a charting of some of the fault lines in de Duve's Duchamp. My contention shall be that the generativity of Fountain as readymade not only belongs within modernism, but is only intelligible within a wholly modernist and formalist frame of reference.Adorno's Formalism and the Material MotiveAdorno opens the section of Aesthetic Theory entitled "Coherence and Meaning" with the drastic sounding thesis that "Although artworks are neither conceptual nor judgmental, they are logical" [AT 136]. He continues:In them nothing would be enigmatic if their immanent logicality did not accommodate discursive thought, which criteria they nevertheless regularly disappoint. They most resemble the form of a syllogism and its prototype in empirical thought. That in the temporal... (shrink)

Forgotten in France for many centuries, the romance of Partonopeus de Blois was resurrected in the eighteenth century and enjoyed a certain notoriety which culminated in Massenet's opera Esclarmonde, a nineteenth-century adaptation of the tale by the librettist Alfred Blau. This paper reveals the story of the rediscovery and the dissemination of Partonopeus de Blois through the eighteenth and nineteenth centuries, and explores the motivations of the early philologists for choosing this romance. The author then focuses on the (...) sources of the opera Esclarmonde and on the possible inspirations and influences affecting its creators. (shrink)

This volume, edited by Vinod Acharya and Ryan J. Johnson, consists of fourteen chapters concerning Nietzsche’s lifelong fascination with Epicurus. Epicurus was hailed by Nietzsche as the ideal thinker in the middle period of his philosophical career and subsequently accused of being a decadent figure.The volume is divided into four parts. Part 1 is titled “Encounters: Body, Mood, Geography and Aesthetic” and consists of five chapters: Carlotta Santini on Nietzsche’s critique of Epicurus’s writing style; Ryan Johnson on the topic of (...) “gastrosophia,” namely the moral effects of foods according to Nietzsche and Epicurus; Jill Marsden on the kinship between Nietzsche and Epicurus about philosophy and the art of living;... (shrink)

Verse treatise on Yoga according to the Nāṭha sect in Hinduism.

The article discusses two bioart projects that bring the symbolically core human substances of blood, sweat and tears into technologically mediated relationships with plants and fungi to explore human kinship with other species: Tarah Rhoda’s BS&T (short for ‘blood, sweat and tears’) and OurGlass, and Saša Spačal’s MycoMythologies: Patterning. The article analyses the art projects through the lens of the molecular gaze and different perspectives on kinning, bringing anthropological conceptualizations of kinship together with Haraway’s pathways to connect with other species. (...) How can bioart use technologies to explore interspecies kinship through a molecular gaze? And may such artworks contribute to the toning down of human exceptionality in the face of a precarious future? We find that artworks providing a molecular gaze on interspecies biological processes may risk a decontextualized approach to complex relational processes but may also create new visions of filiation even with biological organisms imagined to be genetically distant from humans, thus spurring awareness of the fragile interrelationships among species. (shrink)

Both the concept of a Darwinian tree of life (TOL) and the possibility of its accurate reconstruction have been much criticized. Criticisms mostly revolve around the extensive occurrence of lateral gene transfer (LGT), instances of uptake of complete organisms to become organelles (with the associated subsequent gene transfer to the nucleus), as well as the implications of more subtle aspects of the biological species concept. Here we argue that none of these criticisms are sufficient to abandon the valuable TOL concept (...) and the biological realities it captures. Especially important is the need to conceptually distinguish between organismal trees and gene trees, which necessitates incorporating insights of widely occurring LGT into modern evolutionary theory. We demonstrate that all criticisms, while based on important new findings, do not invalidate the TOL. After considering the implications of these new insights, we find that the contours of evolution are best represented by a TOL. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:EPILOGUE Robert J. Daly, SJ. Boston College April 2002 Iwill arrange my comments under four headings: (1) what we had hoped to accomplish; (2) what we actually did accomplish; (3) what we may have learned from this; (4) what this might now enable us to do in thefuture. This epilogueisbeingwritten in April, 2002,twenty-twomonths after the conference. To draw what good we can from this delay, writing at this distance (...) allows me to summarize and draw conclusions with, perhaps, a bit more balance. On the other hand, my listening again to the audio record in the course ofpreparing this publication has enabled me to relive something of the original experience. (1)As I indicated in the introduction, we had unrealistically hoped that, by the time ofthe conference, the five presenters, and perhaps also the twoprincipals inthe "Girard-Lonergan Conversation," wouldhavealready exchanged with each other not just first drafts, but even second drafts of their papers, and that the conference itself would then be invited to join a conversation that was already well under way. As it turned out, I couldn't muster the organizational skills and resources needed to achieve this. But reflecting after the fact, I can see that so carefully detailed a preparation might have been counterproductive. Carrying out our original plan might have been at the cost ofimposing more ofa Western analytic pattern on our discussion ofother traditions, and of!thus smothering from the outset some of the insight that did occur. We had also hoped that the opening "Girard-Lonergan Conversation" would provide an analytic resource for the rest of the meeting. But that did not happen to any great extent. (2)The proximate preparation for this conference began with a draft version ofmy paper being sent to the other major presenters. I opened with 194Robert J. Daly, SJ. a series of brief sketches of salient points in the often unhappy but also occasionally felicitous history ofChristianity on this theme ofviolence and institution. Then, after emphasizing the importance of distinguishing between the normative and the descriptive, I tried to make some sense, both rational and theological, of all this data, especially by reflecting on the influences and consequences ofthe belief in hell, on the one hand, and the hope of universal salvation, on the other. The next major religious theme was Judaism. Reuven Kimelman provided a detailed—and, for some, overwhelming—glimpse of the way the talmudic traditions deal with the theme of war and its restrictions. This highly text-oriented and interpretation-of-texts driven presentation seemed to many, at first, to be irrelevant to mimetic theory and to the need to be confronting actual violence. But, in the course of Sandor Goodhart's response, and in the course ofthe at times spirited discussion that followed, we began to understand that how one interprets texts and traditions, and how these are played off against each other, is indeed fundamental to the way Jews typically try to deal with the practical challenges of violence. Qamar-ul Huda's presentation on IsIamfocused stronglyonthe way the spiritual teachings of Islam—i.e., islam as a religion rather than Islam as a political or national institution—foster peace. The initial reaction was somewhat similarto the reaction to Kimelman's paper: disappointment that Huda was not talking more directly about contemporary Muslim extremist violence. But here, too, the discussion enabled us to catch a glimpse both of the inner spiritual resources of Islam, and of the limitations ofthe range of concerns that Westerners typically bring to the table. Francis Clooney, in his presentation ofHinduism, strongly emphasized the great variety in Hinduism, stressing that one cannot speak ofHinduism as such. Much of this variety comes from the several millennia of Hindu history, and from the complex relationships to Buddhism and Jainism which, themselves, are important parts of Hindu history, and also from the fact that only recently have Hindus, after centuries of Moslem or Colonial domination, once again returned to positions of political and military power. Finally, Christopher Ives's presentation on Buddhism, in a way similar to my presentation on Christianity, but more extensively or more consequently, pointed out the various ways in which Buddhism has been politically and... (shrink)

"In The Givenness of Desire, Randall S. Rosenberg examines the human desire for God through the lens of Lonergan's "concrete subjectivity." Rosenberg engages and integrates two major scholarly developments: the tension between Neo-Thomists and scholars of Henri de Lubac over our natural desire to see God and the theological appropriation of the mimetic theory of René Girard, with an emphasis on the saints as models of desire. With Lonergan as an integrating thread, the author engages a variety of thinkers, including (...) Hans Urs von Balthasar, Jean-Luc Marion, René Girard, James Alison, Lawrence Feingold, John Milbank, among others. The theme of concrete subjectivity helps to resist the tendency of equating too easily the natural desire for being with the natural desire for God without at the same time acknowledging the widespread distortion of desire found in the consumer culture that infects contemporary life. The Givenness of Desire investigates our paradoxical desire for God that is rooted in both the natural and supernatural."--. (shrink)

Theologians are split into two groups: those who embrace prosperity theology and those who oppose it; both sides on scriptural grounds. Those criticising it embrace cessationism in its diversity, while its supporters are mainly found among Pentecostals and Charismatics, who are continuationists. Continuationists believe and teach that all gifts of the Spirit are still available to the church today, therefore should be practised by the church just as they were operative during the apostolic era. Therefore, it is clear that prosperity (...) preachers are continuationists. They believe and practice healing and miracle gifts today. A review of the literature, biblical texts, historical teachings, and Pentecostal and Neo-Pentecostal (also referred to as charismatic and neo-charismatic) form the basis of this article. It addresses the positive features of prosperity teachers’ beliefs and methods as well as how they exploit the dreams, fears, and aspirations of people living in poverty. The theology of sharing, as articulated by Nicholas B.H. Bhengu, is proposed as a solution to creating parity between the rich and the poor.Contribution: This article seeks to balance opposing theological approaches with the prosperity gospel. It does this by introducing a theology of sharing as taught by Nicholas Bhengu based on the philosophy of Ubuntu, a way of life among African people. The challenge for theologians on both sides of the argument is finding a way to accommodate the other side’s contributions. (shrink)